During this session, we used MDF to laser-cut the box that would later hold our silicone mold.
In the end, the experience reinforced how small inaccuracies at this stage can affect all the following steps.
During this session, we used MDF to laser-cut the box that would later hold our silicone mold.
In the end, the experience reinforced how small inaccuracies at this stage can affect all the following steps.
For the 3D printing session, we decided to create a small maze as the positive piece for our mold. Choosing concentric top layers resulted in a surface with very visible lines, making the finish look rougher than expected.
It became clear how each setting directly shapes the material expression of the piece, and how easily a single parameter can shift the result.
With the CNC, we produced the frame where the final cast piece would be placed. This session highlighted the importance of understanding tolerances, tool types, and machining strategies.
It reminded me that subtractive manufacturing demands both technical knowledge and careful planning.
For the mold, we worked with silicone and learned about locks, wall thickness, and proper sealing. Despite preparing everything carefully, the laser-cut box still leaked due to its imperfect tolerances.
This step showed how even basic containment structures need precision, and how adaptable you must be when something unexpected happens.
In this session we experimented with resin as the main casting material. We followed the recipe for the first batch, but it turned out to be insufficient, so we mixed a second batch without strictly following the proportions.
This contrast made the session particularly interesting, showing how small deviations in biomaterial formulas can dramatically change their behavior.
The final session focused on creating a visual composition in TouchDesigner. It was less about fabrication and more about exploring digital expression and real-time visuals.
It showed how design also expands beyond physical materials, opening possibilities for sensory and temporal dimensions in our work.
Across these sessions, the goal was to understand the workflow, the potential errors, and the wide range of tools available in the workshop. Even with previous experience in all these techniques, revisiting them through different machines and setups was valuable.
Each stage revealed how critical it is to anticipate mistakes before they happen.
Learning to adapt when things go wrong is essential in digital fabrication.
Prototyping is both technical and exploratory—an essential part of designing with intention.
This hands-on overview reinforced how prototyping bridges precision and experimentation, reminding us that making is not just about following instructions, but about developing an intuition for materials, machines, and their unpredictable interactions.